Tune Search
Login  to see your:     Home   Playlists   Practice Machine   Friends   Stats   Albums   Preferences   Logout

Irish Traditional Music Tune Index
Tune ID#155 (Bímís ag Ól)

Transcription of first 2 bars of Bímís ag Ól about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording DC1 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Double jig32AABBG Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Bímís ag Ól / Bímid ag Ól / Bímid ag Ól is ag Pógadh na mBan / Bimid ag Ol is ag Pogadh na mBan / Bímís ag Ól 's ag Pógadh na mBan / Bímís ag Ól is ag Pógadh na mBan / Bimid ag Ol is a' Pogadh na mBan / Bimid / Beidh maoid ag ol / Let Us Drink! / Let Us Be Drinking / Let Us Be Drinking and Kissing the Women / We were Drinking and Kissing the Ladies / I Can Court the Fair Ladies / I Court the Fair Maidens / My Name Is O'Sullivan (also in E or D, also with sung 3rd part) (1st in set Friel's Kitchen on Ch 7) (compare as reel Gilbert Clancy; compare 1st part with 1st part of Huish the Cat #3658)

cd Discography

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title. Performers (instruments). Go to album
197118#1
[DC1] The Drones and the Chanters. Irish Pipering. Willie Clancy.
Go to Album
19739#1
[WC 3] Willie Clancy. The Pipering of Willie Clancy. Volume 2. Willie Clancy (pipes, whistle). For this tune: (pipes).
Go to Album
19758#1
[JnKlly] John Kelly. Irish Traditional Concertina and Fiddle Music. John Kelly (concertina, fiddle).
Go to Album
~19775#1
[Ch 7] The Chieftains. 7. Paddy Moloney (pipes, whistle), Seán Potts (whistle, bones), Seán Keane (fiddle, whistle), Martin Fay (fiddle, bones), Michael Tubridy (flute, concertina, whistle), Derek Bell (harp, tiompán, oboe), Kevin Conneff (bodhrán).
Go to Album
~199612#1
[ECotter] Eamonn Cotter. Traditional Irish Music from County Clare. Eamonn Cotter (flute).
Go to Album
~20002#1
[OMBFMO] Oisín Mac Diarmada, Brian Fitzgerald, Micheál Ó Ruanaigh. Traditional Music on Fiddle, Banjo and Harp. Oisín Mac Diarmada (fiddle), Brian Fitzgerald (banjo), Micheál Ó Ruanaigh (harp).
Go to Album
~200210#3
[TMIYD] Ronan Browne and Peter O'Loughlin. Touch Me If You Dare. Ronan Browne (pipes, flute), Peter O'Loughlin (fiddle, flute). For this tune: (pipes), (fiddle).
Go to Album
~20055#2
[MulcFam2] Mick, Louise & Michelle Mulcahy. Notes from the Heart. Mick Mulcahy (accordion, melodeon), Louise Mulcahy (flute, pipes), Michelle Mulcahy (fiddle, concertina, harp, piano). For this tune: Michelle (harp).
Go to Album
20095#2
[Hmmrs] The Hammers. From Distant Shores. Paul Hammer (mandolin, banjo), Susan Hammer (whistle, concertina). For this tune: (banjo).
Go to Album

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.

Listing of published transcriptions of this tune.
As tune #479 in [1850] Francis O'Neill and James O'Neill. O'Neill's Music of Ireland. [available]
As tune #17 in [CRE 1] Breandán Breathnach. Ceol Rince na hÉireann 1.
On page 25 of [LPUP] Eithne and Brian Vallely. Learn to Play the Uilleann Pipes. [available]
As tune #7 in [WC] Pat Mitchell. The Dance Music of Willie Clancy. [available]
As jig #5 in [Cobb] Dan Cobb. Cobb's Music of Ireland. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1903