Irish Traditional Music Tune Index
Tune ID# 1553 (Pathway to the Well)

RhythmBars8-bar phrase structureMode
Double jig32AABBD Major
Transcription of first 2 bars of Pathway to the Well
 about these two bars

These two bars are the start of my transcription of how this tune was played – the first time through – on the recording JCt 2 (details in the Discography below).

Where do you get the tune titles?
Titles given to this tune in the sources listed below (plus notes of mine about this tune):
Pathway to the Well, The / Pathway to the Well / Cosán go dtí an Tobar / James O'Beirne's / Master Crowley's Favourite / Cherish the Ladies (1st in set Master Crowley's Favorites on HG) (compare single jig Pat Ward's #1552; compare 1st part with 1st part of James O'Byrne's #4960)
What do the "track#tune" codes mean?

cd Discography

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.

Year
Recorded
Track
#Tune
[Album code] Artist. Title. Primary musicians (instruments). Album details
and contents
19386#1[HG] Hugh Gillespie. Classic Recordings of Irish Traditional Fiddle Music. Hugh Gillespie (fiddle).View album details
~19963#2[JCt 2] John Carty. Last Night's Fun. John Carty (fiddle, banjo, flute).View album details
~20071.8#2[CLnn 2] Charlie Lennon. Turning the Tune. Charlie Lennon (fiddle, viola, piano, harpsichord, bass, keyboards).View album details

Bibliography

According to my research, there are zero transcriptions that sound very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1938