Irish Traditional Music Tune Index
Tune ID# 2104 (Shanks Mare)

RhythmBars8-bar phrase structureMode
Reel16ABE Dorian
Transcription of first 2 bars of Shanks Mare
 about these two bars

These two bars are the start of my transcription of how this tune was played – the first time through – on the recording MMR 2 (details in the Discography below).

Where do you get the tune titles?
Titles given to this tune in the sources listed below (plus notes of mine about this tune):
Shanks Mare / Toss the Feathers / Craith na Cleití / Thresh the Feathers / The Humours of Ballagh / Thornberry's / Geatley's / The New Reel / The Mountain Lark (compare 2nd part with 2nd part of Toss the Feathers #1957)
What do the "track#tune" codes mean?

cd Discography

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.

Year
Recorded
Track
#Tune
[Album code] Artist. Title. Primary musicians (instruments). Album details
and contents
~19984#2[MMR 2] Mike and Mary Rafferty. The Old Fireside Music. Mike Rafferty (flute, pipes), Mary Rafferty (accordion, whistle).View album details
~19981.13#2[WFO 1] various. Wooden Flute Obsession. View album details

Bibliography

Here are all transcriptions of this tune under any title whatsoever – considering only the indexed books – listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.

As tune #291 in [CRE 2] Breandán Breathnach. Ceol Rince na hÉireann 2.
As tune #71 in [Raff] Lesl Harker. 300 Tunes from Mike Rafferty. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1966