Irish Traditional Music Tune Index
Tune ID# 233 (Broken Bridge)

RhythmBars8-bar phrase structureMode
Reel16ABD Major
Transcription of first 2 bars of Broken Bridge
 about these two bars

These two bars are the start of my transcription of how this tune was played – the first time through – on the recording A RC (details in the Discography below).

Where do you get the tune titles?
Titles given to this tune in the sources listed below (plus notes of mine about this tune):
Broken Bridge, The / Philip O’Beirne’s Delight / Aoibhneas Philip Uí Bheirn (compare The Daisy Field #446)
What do the "track#tune" codes mean?

cd Discography

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.

Year
Recorded
Track
#Tune
[Album code] Artist. Title. Primary musicians (instruments). Album details
and contents
19906#4[A RC] Altan. The Red Crow. Mairéad Ní Mhaonaigh (fiddle, vocals), Frankie Kennedy (flute, whistle, vocals), Paul O'Shaughnessy (fiddle), Mark Kelly (guitar, vocals), Ciaran Curran (bouzouki).View album details
~19967#1[DByrn] Dermot Byrne. Dermot Byrne. Dermot Byrne (accordion).View album details
~200811#1[TDeM] Tony DeMarco. The Sligo Indians. Tony DeMarco (fiddle).View album details

Bibliography

Here are all transcriptions of this tune under any title whatsoever – considering only the indexed books – listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.

As tune #170 in [CRE 1] Breandán Breathnach. Ceol Rince na hÉireann 1.

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1963