Irish Traditional Music Tune Index
Tune ID#2806 (Lilies in the Field)
| Rhythm ? | Bars | 8-bar phrase structure | Mode ? |
|---|---|---|---|
| Reel | 16 | AB | D Major |
about these two bars
These two bars are the start of my transcription of how this tune was played – the first time through – on the recording TJC (details in the Discography below).
Titles given to this tune in the sources listed below (plus notes of mine about this tune):
Lilies in the Field, The / Lilies in the Field / Na Lilithe sa Pháirc / P.J. Conlon's
Discography
Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.
| Year Recorded |
Track #Tune? |
[Album code] Artist. Title. Primary musicians (instruments). |
|---|---|---|
| 1986 | 7#3 | [TJC] Frankie Gavin and Paul Brock. Ómós do Joe Cooley. A Tribute to Joe Cooley. Frankie Gavin (fiddle), Paul Brock (accordion). |
| 1993 | 2#1 | [MoD] Tony Mac Mahon, Noel Hill, Iarla Ó Lionáird. Music of Dreams. Tony Mac Mahon (accordion), Noel Hill (concertina), Iarla Ó Lionáird (vocals). |
| ~1993 | 7#1 | [Shskn 6] Shaskeen. My Love Is in America. Tom Cussen (banjo), Benny O'Connor (drums, bodhrán), Sean Conway (flute, whistle, guitar, vocals), Charlie Harris (accordion), Kevin Rohan (fiddle, vocals). |
| ~2003 | 4#2 | [KitRec] Seán O'Driscoll and Larry Egan. The Kitchen Recordings. Seán O'Driscoll (banjo, bouzouki), Larry Egan (accordion). |
Bibliography
According to my research, there are zero transcriptions that sound very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.
Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1986