about these two bars
| Rhythm | Bars | 8-bar phrase structure | Mode |
|---|---|---|---|
| Double jig | 32 | AABB | E Dorian |
These two bars are the start of my transcription of how this tune was played – the first time through – on the recording FT (details in the Discography below).
DiscographyHere are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.
| Year Recorded |
Track #Tune |
[Album code] Artist. Title. Primary musicians (instruments). |
|---|---|---|
| ~1987 | 2#1 | [FT] John Whelan, Eileen Ivers. Fresh Takes. John Whelan (accordion), Eileen Ivers (fiddle). |
| ~1987 | 17#1 | [BigSq] various. The Big Squeeze. Masters of the Celtic Accordion. |
| ~1992 | 9#2 | [CR 1] Craobh Rua. The More That's Said the Less the Better. Mark Donnelly (pipes, whistle), Michael Cassidy (fiddle), Brian Connolly (banjo, mandolin, bodhrán), Jim Byrne (guitar, mandola, vocals). |
BibliographyHere are all transcriptions of this tune under any title whatsoever – considering only the indexed books – listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.
| As tune #311 in [1001] Francis O'Neill and James O'Neill. The Dance Music of Ireland. 1001 Gems. |
If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?