about these two bars
| Rhythm | Bars | 8-bar phrase structure | Mode |
|---|---|---|---|
| Double jig | 32 | AABB | G Major |
These two bars are the start of my transcription of how this tune was played – the first time through – on the recording MC (details in the Discography below).
DiscographyHere are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.
| Year Recorded |
Track #Tune |
[Album code] Artist. Title. Primary musicians (instruments). |
|---|---|---|
| ~1924 | 1.19#2 | [MC] Michael Coleman. Michael Coleman 1891-1945. Michael Coleman (fiddle). |
| ~2002 | 4#1 | [BCw] Brian Conway. First through the Gate. Brian Conway (fiddle). |
| 2003 | 14#2 | [Tda 2] Téada. Give Us a Penny and Let Us Be Gone. Oisín Mac Diarmada (fiddle, vocals), John Blake (flute, guitar), Paul Finn (accordion, concertina), Seán McElwain (banjo, bouzouki), Tristan Rosenstock (bodhrán, vocals). |
BibliographyAccording to my research, there are zero transcriptions that sound very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.