about these two bars
| Rhythm | Bars | 8-bar phrase structure | Mode |
|---|---|---|---|
| Double jig | 32 | AABB | G Major |
These two bars are the start of my transcription of how this tune was played – the first time through – on the recording Bx (details in the Discography below).
DiscographyHere are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.
| Year Recorded |
Track #Tune |
[Album code] Artist. Title. Primary musicians (instruments). |
|---|---|---|
| ~1989 | B.1#1 | [Bx] Boxty. Boxty. Christine Dowling (flute, vocals, concertina), Martin Dowling (fiddle), Bob Newton (mandocello). |
| 2003 | 11#3 | [Tda 2] Téada. Give Us a Penny and Let Us Be Gone. Oisín Mac Diarmada (fiddle, vocals), John Blake (flute, guitar), Paul Finn (accordion, concertina), Seán McElwain (banjo, bouzouki), Tristan Rosenstock (bodhrán, vocals). |
BibliographyHere are all transcriptions of this tune under any title whatsoever – considering only the indexed books – listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.
| In [L] Alan's private loose music. |
| On page 142 of [M2] Phil Rubenzer. Midwestern Irish Session Tunes. Millennium Edition. |
| As jig #47 in [Cobb] Dan Cobb. Cobb's Music of Ireland. |
If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?