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Irish Traditional Music Tune Index
Tune ID#853 (Humours of Ballyloughlin)

Rhythm ?Bars8-bar phrase structureMode ?
Double jig64AABBCCDDD Mixolydian
Transcription of first 2 bars of Humours of Ballyloughlin
 about these two bars

These two bars are the start of my transcription of how this tune was played – the first time through – on the recording SK 1 (details in the Discography below).
Titles given to this tune in the sources listed below (plus notes of mine about this tune):
Humours of Ballyloughlin, The / Humours of Ballyloughlin / Humors of Ballyloughlin / The Humours of Derryloughan / The Fairy Hurlers / The Hurlers' March / Máirseál na nIománaithe

cd Discography

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc. They are listed in order of when they were recorded.

Year
Recorded
Track
#Tune?
[Album code] Artist. Title. Primary musicians (instruments). Album details
and contents
~197513#2[SK 1] Seán Keane. Gusty's Frolicks. Seán Keane (fiddle).View album details
~197610#1[MM 1] Matt Molloy accompanied by Dónal Lunny. Matt Molloy. Matt Molloy (flute).View album details
~19763#1[KClns 1] Kathleen Collins. Traditional Music of Ireland. Kathleen Collins (fiddle).View album details
19904#1[MLIIA] various. The Boston College Irish Fiddle Festival - My Love Is in America. View album details
19935#1[EI 1] Eileen Ivers. Eileen Ivers. Traditional Irish Music. Eileen Ivers (fiddle, mandolin, rainstick).View album details
19939#1[GL1] various. The Dance Music of Ireland. Jigs and Reels. View album details
~19945#1[NMCMM] various. The Northern Meeting. Celtic Music in Milwaukee. View album details
19984#3[Chlr] Chulrua. Barefoot on the Altar. Paddy O'Brien (accordion), Tim Britton (pipes, flute, whistle), Pat Egan (guitar, vocals).View album details
200113#2[TC] various. Turas Cheoil. A Musical Odyssey: A compilation of music from the traditional musicians of Toronto. View album details
~200212#1[CaBrdg] Niall and Cillian Vallely. Callan Bridge. Niall Vallely (concertina), Cillian Vallely (pipes, whistle).View album details
200710#3[AbsIr] various. Absolutely Irish. Mac Benford (banjo, vocals), Darrah Carr (feet), Liz Carroll (fiddle), Karan Casey (vocals), Brendan Dolan (piano), John Doyle (guitar, bouzouki, vocals), Seamus Egan (banjo, flute), Eileen Ivers (fiddle), Rhys Jones (fiddle, guitar, vocals), Joanie Madden (flute, whistle), Billy McComiskey (accordion), Susan McKeown (vocals), Mick Moloney (banjo, mandolin, guitar, vocals), Robbie O'Connell (vocals, guitar), Niall O'Leary (feet), Jerry O'Sullivan (pipes, whistle), Mike Rafferty (flute), Athena Tergis (fiddle).View album details

Bibliography

Here are all transcriptions of this tune under any title whatsoever – considering only the indexed books – listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.

As tune #32 in [CRE 1] Breandán Breathnach. Ceol Rince na hÉireann 1.
As tune #145 in [WC] Pat Mitchell. The Dance Music of Willie Clancy. [available]
As tune #60 in volume 4 of [B&S] D[avid] Bulmer and N[eil] Sharpley. Music from Ireland. 4 vols.
On page 39 of [LPUP] Eithne and Brian Vallely. Learn to Play the Uilleann Pipes. [available]
On page 138 of [FF] David Brody. The Fiddler's Fakebook. [available]
On page 89 of [M] Phil Rubenzer. Midwestern Irish Session Tunes. 3rd Edition.
As tune #67 in [DM 3] Dave Mallinson. 100 Evergreen Irish Session Tunes. [available]
On page 146 of [M2] Phil Rubenzer. Midwestern Irish Session Tunes. Millennium Edition.
As jig #52 in [Cobb] Dan Cobb. Cobb's Music of Ireland. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1963