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Irish Traditional Music Tune Index
Tune ID#1477 (O'ot Be Est da Vong)

Transcription of first 2 bars of O'ot Be Est da Vong about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording Sol 1 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Reel16ABD Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
O'ot Be Est da Vong [This tune is not (yet?) part of the Irish tradition, but belongs rather to Shetland music.]
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
~199613#3
[Sol 1] Solas. Solas. Seamus Egan (flute, whistle, guitar, pipes, bodhrán, vocals), Karan Casey (vocals), John Doyle (guitar, vocals), Winifred Horan (fiddle, vocals), John Williams (accordion, concertina, vocals).
~20051.9#1
[WFO 3] Wooden Flute Obsession 3. Brendan Mulholland (flute).
20111#1
[PMcGl 2] Paul McGlinchey. The Boys of the Town. Paul McGlinchey (flute). For this tune: (Eb flute).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Return Home
Sol 1
Played beforeOn Albums
John Joe Casey's
Sol 1
Maid of the House
WFO 3
Maid of Mount Kisco
PMcGl 2

Bibliography

According to my research, there are zero transcriptions that are musically very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1996