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The Irish Traditional Music Tune Index

Tune ID#1707 (Rose Tree)

Transcription of first 2 bars of Rose Tree about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording OTPR (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Polka32AABBD Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Rose Tree, The / The Rose Tree in Full Bearing / Little Mary Cullinan / Moirin ni Chuileannain / Maureen from Giberland / Maureen from Gibberland / Bhíosa Lá bPort Láirge / Bhíos-sa Lá i bPortlairge / Cups and Saucers / I'd Mourn the Hopes that Leave Me / Forgive the Muse that Slumbered / Phelim O'Neill / Nancy Hogan's Goose / Moore's Favorite / The Irish Lilt / The Gimlet / The Old Lea Rigg / The Lilted March (3rd in set Irish Polkas on OTPR; 3rd in set Selection 2 on GCB 2; for dance The Waves of Tory in book A; for dance Walls of Limerick in book MM) (also as single reel, song, or march; also in A or G)
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
19229#3
[OTPR] Oldtime Records. Vol. 3. Piping Rarities. Tom Ennis (pipes), John Gerrity (fiddle).
192413#2
[IDM 1] Irish Dance Music. McConnell's Four Leaf Shamrocks.
19922.3#2
[SDI 2] Set Dances of Ireland. Volume II. Denis McMahon (fiddle), Paudy Scully (flute), Timmy O'Connor (melodeon), Michael Tubridy (flute), Tommy McCarthy (concertina), Eamon McGivney (fiddle).
~199817#2
[BG 6] Bobby Gardiner. The Clare Shout. Bobby Gardiner (melodeon, lilting). For this tune: (lilting, vocals), with Ann Gardiner (lilting), Lynda Gardiner (lilting, vocals).
~19995#2
[HB 1] Harry Bradley. Bad Turns and Horse-Shoe Bends. Harry Bradley (flute). For this tune: (high Bb flute).
20026#1
[DLB] Donncha Lynch Band. Timmy 'the Brit' McCarthy's Set Dances of Cork and Kerry. Donncha Lynch (accordion), Aogan Lynch (concertina), Ronan Lynch (fiddle), Donncha Lynch, Jr. (guitar).
~200720#3
[GCB 2] The Glenside. Take the Floor with The Glenside. Tom Flood (accordion), Johnny Duffy (banjo), Moyra Fraser (keyboard, vocals), Aidan Flood (drums).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Babes in the Woods
IDM 1
Murphy's Polka
OTPR
Girl I Left Behind Me
SDI 2
Kerry Cow
BG 6
Belfast March
HB 1
Denis Murphy's Polka
GCB 2

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.

Listing of published transcriptions of this tune.
As tune #277 in [1850] Francis O'Neill and James O'Neill. O'Neill's Music of Ireland. [available]
As tune #120#3 in [A] Hugh McDermott. Allan's "Irish Fiddler." [available]
On page 20 of [RW] Robin Williamson. The Penny Whistle Book. [available]
As tune #54 in [JOL] Terry Moylan. Johnny O'Leary of Sliabh Luachra. Dance Music from the Cork-Kerry Border. [available]
On page 235 of [FF] David Brody. The Fiddler's Fakebook. [available]
As misc #34 in [MM] Martin Mulvihill. First Collection of Traditional Irish Music.
On page 49 of [SLoP] Paul Deloughery. Sliabh Luachra on Parade. [available]
As tune #77 in [IBPS] Pat Conway. Ireland's Best Polkas and Slides. [available]
As polka #49 in [Cobb] Dan Cobb. Cobb's Music of Ireland. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1903