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The Irish Traditional Music Tune Index

Tune ID#1937 (Matt Peoples)

Transcription of first 2 bars of Matt Peoples about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording MBP (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Reel16ABD Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Matt Peoples / Matt Peoples' / Matt Peoples' Reel / Ríl Mhatt Peoples / Tommy Peoples' / Lady Gordon's Reel / Lady Gordon (2nd in set Matt Peoples on MBP; 2nd in set New Century on Yanks 2) (also in G or C) (compare 1st part with 1st part of All Round the Room #4489)
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
19771#2
[MBP] Matt Molloy, Paul Brady, Tommy Peoples. Matt Molloy. Paul Brady. Tommy Peoples. Matt Molloy (flute), Paul Brady (guitar, vocals), Tommy Peoples (fiddle).
~20001#2
[MulcFam1] The Mulcahy Family. The Mulcahy Family. Mick Mulcahy (accordion, concertina), Louise Mulcahy (flute, pipes), Michelle Mulcahy (accordion, concertina, harp).
200211#4
[BBg 3] Brendan Begley. It Could Be a Good Night Yet! Oíche go Maidean. Breanndán Ó Beaglaoich/Brendan Begley (accordion, vocals). For this tune: (D melodeon).
~20054#2
[JCt 5] John Carty. I Will If I Can. John Carty (banjo, guitar, fiddle). For this tune: (guitar).
20063#5
[Boys 23] Boys of the Lough. Midwinter Live. Cathal McConnell (flute, whistle, vocals), Dave Richardson (concertina, mandolin, cittern), Brendan Begley (accordion, melodeon, vocals), Malcolm Stitt (guitar), Kevin Henderson (fiddle). For this tune: Brendan (D melodeon).
~20095#3
[PoNY] Joanie Madden, Brian Conway, Billy McComiskey, Brendan Dolan. Pride of New York. Joanie Madden (flute, whistle), Brian Conway (fiddle), Billy McComiskey (accordion), Brendan Dolan (piano).
~201213#3
[MiMulc] Michelle Mulcahy. Suaimhneas. Michelle Mulcahy (harp).
20142.7#2
[Yanks 2] The Yanks. Haymaker. Dan Gurney (accordion), Dylan Foley (fiddle, whistle), Sean Earnest (guitar, bouzouki), Isaac Alderson (flute, pipes, tenor saxophone, whistle). For this tune: Dan (accordion).
~201416#3
[MMcNmr 3] Mary MacNamara. Note for Note. Mary MacNamara (concertina).
~20219#1
[BrtDrkly] Nathan Gourley and Laura Feddersen. Brightly or Darkly. Nathan Gourley (fiddle, guitar, bouzouki), Laura Feddersen (fiddle). For this tune: Nathan (fiddle).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Man of the House
BBg 3, Boys 23
Matt Peoples
MBP
Anderson's Reel
MulcFam1
Sporting Nell
JCt 5
Morning Mist
PoNY
Lad O'Beirne's
MiMulc
New Century
Yanks 2
Cloonagroe Reel
MMcNmr 3
Played beforeOn Albums
Connemara Stockings
Yanks 2
Rookery
BrtDrkly

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.

Listing of published transcriptions of this tune.
As tune #256 in [CRE 2] Breandán Breathnach. Ceol Rince na hÉireann 2. [available]
As tune #28 in volume 2 of [LPTW] Eithne Vallely. Learn to Play the Tin Whistle. [available]
As tune #167 in [CRE 3] Breandán Breathnach. Ceol Rince na hÉireann 3. [available]
As reel #11 in [MM] Martin Mulvihill. First Collection of Traditional Irish Music.
As tune #60 in [DM 3] Dave Mallinson. 100 Evergreen Irish Session Tunes. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1968