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Irish Traditional Music Tune Index
Tune ID#2036 (Warlock)

Transcription of first 2 bars of Warlock about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording CTL 3 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?BarsMode ?
Strathspey32E Dorian
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Warlock, The / The Warlocks [This tune is not (yet?) part of the Irish tradition, but belongs rather to Scottish music.]
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
~19921#2
[CTL 3] Cherish the Ladies. The Back Door. Mary Coogan (guitar, banjo), Siobhan Egan (fiddle, bodhrán), Eileen Golden (feet), Winifred Horan (fiddle, feet), Maureen Doherty Macken [Mary Rafferty] (accordion, flute), Joanie Madden (flute, whistle), Cathie Ryan (vocals), Linnane Wick (feet).
19993#1
[MOBAL] Michelle O'Brien, Aogán Lynch and Gavin Rolston [sic]. Michelle O'Brien, Aogán Lynch and Gavin Ralston. Michelle O'Brien (fiddle), Aogán Lynch (concertina), Gavin Ralston (guitar).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Characters' Polka
CTL 3
Played beforeOn Albums
Volunteer
CTL 3
O'Connor's
MOBAL

Bibliography

According to my research, there are zero transcriptions that are musically very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1992