Irish Traditional Music Tune Index
Tune ID#2193 (Ashmolean House)
about these two bars
Basic musical information on this tune.
|Rhythm ?||Bars||8-bar phrase structure||Mode ?|
given to this tune in the sources listed below (plus notes of mine about this tune):
Ashmolean House / The Ashmolean / Ashmaleen House / Ash Maley House (4th in set Highway to Kilkenny on CTL 5) (composed by Tommy Gunn)
Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.
to hear the first 12 seconds.
|[Album code] Artist. Title. Performers (instruments).
[JOS 1] Jerry O'Sullivan. The Invasion. Jerry O'Sullivan (pipes). For this tune: with Seamus Egan (banjo).
[Shskn 6] Shaskeen. My Love Is in America. Tom Cussen (banjo), Benny O'Connor (drums, bodhrán), Sean Conway (flute, whistle, guitar, vocals), Charlie Harris (accordion), Kevin Rohan (fiddle, vocals). For this tune: Tom (banjo), Kevin (fiddle).
[CTL 5] Cherish the Ladies. New Day Dawning. Joanie Madden (flute, whistle, vocals), Mary Coogan (guitar, mandolin, banjo), Mary Rafferty (accordion, whistle), Donna Long (piano, fiddle, vocals), Siobhan Egan (fiddle, bodhrán, whistle), Aoife Clancy (vocals, guitar).
[KC 2] Kevin Crawford. In Good Company. Kevin Crawford (flute, whistle). For this tune: with James Cullinan (fiddle).
Here are all transcriptions of this tune considering only the indexed books, listed in chronological order.
I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.
Listing of published transcriptions of this tune.
|As tune #12 in [Raff] Lesl Harker. 300 Tunes from Mike Rafferty. |
If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?
Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1987