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The Irish Traditional Music Tune Index

Tune ID#2454 (Tim Moloney's)

Transcription of first 2 bars of Tim Moloney's about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording RtH (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Reel32AABBG Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Tim Moloney's / Tim Moloney / Tim Maloney's / Tim Maloney / Tim Mulloney / Tim Ó Maoldómhnaigh / Ríl Thaidhg Uí Mhaoldomhnaigh / Ril Thaidhg Uí Mhaoldomhnaigh / Molony's Reel (omitted in contents of JV, where the title could be mistaken as The Dash to Portobello)
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
~19581#3
[KCB 1] The Kilfenora Ceili Band. The Fabulous Kilfenora Ceili Band. P.J. Lynch (fiddle), Gus Tierney (fiddle), Jim McCormack (flute), Gerry Lynch (accordion), P. Mullins, T. Eustace, P. Madigan, Kitty Linnane (piano), G. O'Loughlin (drums).
~19592#2
[LNCB] Laichtín Naofa Céilí Band. Come to an Irish Dance Party. Willie Clancy (pipes), Martin Talty (pipes), Michael Falsey, J. C. Talty, Angela Merry (bass fiddle), Colm O'Connor (piano), Paddy Joe McMahon (accordion), Michael Sexton (accordion), Martin Malone (drums), Junior Crehan (fiddle), Christy Dixon (fiddle), Paddy Galvin (fiddle).
~1974B.7#1
[McGrCool] McGreevy and Cooley. McGreevy and Cooley. John McGreevy (fiddle), Seamus Cooley (flute).
~19792.12#2
[AWhyte] Aggie Whyte. Aggie Whyte. Aggie Whyte (fiddle).
~19861.6#3
[RtH] Round the House. Music for the Sets - Vol. 1. Séamus Meehan (piano accordion), Paul O'Shaughessy (fiddle).
~199411#1
[SetFree] Tola Custy and Cyril O'Donoghue. Setting Free. Tola Custy (fiddle), Cyril O'Donoghue (vocals, bouzouki, guitar).
~19952.14#2
[JV] John Vesey. Sligo Fiddler. John Vesey (fiddle). For this tune: with Ed Cahill (C# flute).
~19979#2
[CKeane 2] Conor Keane. Oidhreacht. Conor Keane (accordion).
20009#2
[RBys 2] Randal Bays. The Salmon's Leap. Randal Bays (fiddle, guitar).
200911#2
[RoClare] Riches of Clare. Eamonn Cotter, Conor McCarthy, Oisín MacDiarmada, Padraic O'Reilly.
~20145#1
[NnNCsd] Neansaí Ní Choisdealbha. Draoícht na Feadóige. Neansaí Ní Choisdealbha (flute, whistle). For this tune: (D whistle).
~20155#2
[AtMcGn 2] Antóin MacGabhann, with Charlie Lennon. Tunesmith. Antóin MacGabhann (fiddle).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Ewe Reel
KCB 1
Earl's Chair
LNCB
Bunker Hill
AWhyte
Cameronian Reel
RtH
George White's Favourite
JV
Girl that Broke My Heart
CKeane 2
Green Grow the Rushes O
RBys 2
Drunken Tinker
RoClare
Farewell to Erin
AtMcGn 2
Played beforeOn Albums
Copperplate
LNCB
Cooley's
McGrCool
John Kelly's Concertina Reel
SetFree
Ewe Reel
CKeane 2
Christmas Eve
NnNCsd
Edenderry Reel
AtMcGn 2

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.

Listing of published transcriptions of this tune.
As tune #88 in [CRE 1] Breandán Breathnach. Ceol Rince na hÉireann 1. [available]
As reel #108 in [MM] Martin Mulvihill. First Collection of Traditional Irish Music.
As tune #35 in [DM 3] Dave Mallinson. 100 Evergreen Irish Session Tunes. [available]
As reel #616 in [HN] Henrik Norbeck. Henrik Norbeck's Abc Tunes. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1958