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The Irish Traditional Music Tune Index

Tune ID#710 (Geese in the Bog)

Transcription of first 2 bars of Geese in the Bog about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording IDM 1 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Double jig32AABBA Dorian
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Geese in the Bog, The / Na Seanghéanna sa Phortach / Geese in the Bog / The Old Geese in the Bog / The Old Geese on the Bog / The Goose in the Bog / The Humours of Ballinifad / Humors of Ballinafad / The Humors of Ballinifad / Bryan O'Lynn / Bryan O Lynn / Johnny Knocked over His Uncle / Chasing the Chicken / Ken Fahey's (as Gan Ainm on JCrehan) (also in B, also with extra 1st part by Liz Carroll on LC 2; the E Dorian Scottish tune on TW included here is only the same in the 1st part) (compare distantly #6764, compare 2nd part with 2nd part of Banks of Lough Gowna #117)
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
19252.7#1
[JMcK] John McKenna. The Music and Life of John McKenna. 'The Buck from the Mountain'. John McKenna (flute, whistle, lilting, vocals). For this tune: (C# flute), with Michael Gaffney (banjo mandolin).
19278#1
193217#3
[IDM 1] Irish Dance Music. Frank Lee's Tara Ceilidh Band.
194123#1
[ITWWW] "If There Weren't Any Women in the World". Ann McNulty (C melodeon), later with unknown (banjo).
19492.5#2
~19832.5#2
[Boys 10] Boys of the Lough. Open Road. Aly Bain (fiddle), Cathal McConnell (flute, whistle, vocals), Dave Richardson (concertina, mandolin, cittern), Tich Richardson (guitar, acoustic bass guitar). For this tune: Aly (fiddle).
~19832.5#2
[Boys 15] Boys of the Lough. The Session. Aly Bain (fiddle), Cathal McConnell (flute, whistle), Dave Richardson (concertina, mandolin, cittern), Tich Richardson (guitar, acoustic bass guitar). For this tune: Aly (fiddle).
1984A.3#2
[Boys 12] Boys of the Lough. Far from Home. Aly Bain (fiddle), Cathal McConnell (flute, whistle), Dave Richardson (concertina, mandolin, cittern), Tich Richardson (guitar). For this tune: Aly (fiddle).
~19871#1
~198810#2
[LC 2] Liz Carroll. Liz Carroll. Liz Carroll (fiddle).
~19923#1
[FireAfl] Matt Molloy, Seán Keane, Liam O'Flynn. The Fire Aflame. Matt Molloy (flute), Seán Keane (fiddle), Liam O'Flynn (pipes).
~19927#3
~199321#1
[JCnly 1] Johnny Connolly. An tOileán Aerach. Johnny Connolly (melodeon). For this tune: (C melodeon).
19942.4#3
[SDI 3] Set Dances of Ireland. Volume III. Michael (flute), Tommy (concertina), Eamon (fiddle).
~199410#1
[EI 1] Eileen Ivers. Eileen Ivers. Traditional Irish Music. Eileen Ivers (fiddle, mandolin, rainstick).
~19957#2
[Arc 2] Arcady. Many Happy Returns. Johnny McDonagh (bones, bodhrán, triangle), Nicholas Quemener (guitar, flute, whistle, vocals), Patsy Broderick (piano, keyboards), Conor Keane (accordion), Brendan Larrissey (fiddle), Niamh Parsons (vocals).
~19952.14#1
[JCrehan] Junior Crehan. The Last House in Ballymakea. Junior Crehan (fiddle, vocals, concertina). For this tune: (fiddle), with Tony Crehan (concertina), Angela Crehan (whistle), Ita Crehan (whistle), P.J. Crotty (flute), Bobby Casey (fiddle), Eamon McGivney (fiddle).
19971#3
[JDr 3] Joe Derrane. The Tie that Binds. Joe Derrane (accordion). For this tune: with Frankie Gavin (fiddle), Kevin Crawford (flute).
~19974#2
[CKeane 2] Conor Keane. Oidhreacht. Conor Keane (accordion).
19982#2
[Lgcy] Legacy. Navan. Don Penzien (guitar, vocals, whistle), Valerie Plested (fiddle), Beth Patterson (bouzouki, vocals), Justin Murphy (flute, whistle).
19996#2
[JWh 8] John Whelan. Celtic Roots. John Whelan (accordion).
200111#2
[FDys] Davy Spillane and Kevin Glackin. Forgotten Days. Davy Spillane (pipes, whistle), Kevin Glackin (fiddle). For this tune: (pipes), (fiddle).
200311#1
[LLses 2] The London Lasses and Pete Quinn. Track Across the Deep. Karen Ryan (fiddle, whistle), Elaine Conwell (fiddle), Dee Havlin (flute, whistle), Maureen Linane (accordion), Kathleen O'Sullivan (vocals). For this tune: 1st time (fiddle).
20046#2
[SGrant] Seamus Grant. Traditional Fiddle Playing from Inishowen. Seamus Grant (fiddle).
~20087#3
[FScahl 1] Fergal Scahill. The Dusty Bridge. Fergal Scahill (fiddle, guitar, bodhrán).
~201312#2
[DPower 3] David Power. The Eighteen Moloney. David Power (B pipes).

Goes Well with . . .

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.

Listing of published transcriptions of this tune.
As tune #90 in volume 1 of [R] Francis Roche. The Roche Collection of Traditional Irish Music. 3 vols. [available]
As tune #55 in volume 4 of [B&S] D[avid] Bulmer and N[eil] Sharpley. Music from Ireland. 4 vols.
As jig #66 in [MM] Martin Mulvihill. First Collection of Traditional Irish Music.
As tune #6 in [Cr] Matt Cranitch. The Irish Fiddle Book. [available]
On page 85 of [M] Phil Rubenzer. Midwestern Irish Session Tunes. 3rd Edition.
As tune #88 in [DM 3] Dave Mallinson. 100 Evergreen Irish Session Tunes. [available]
On page 139 of [M2] Phil Rubenzer. Midwestern Irish Session Tunes. Millennium Edition.
As jig #164 in [Cobb] Dan Cobb. Cobb's Music of Ireland. [available]
As tune #181 in [Raff] Lesl Harker. 300 Tunes from Mike Rafferty. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1925