Tune Search
Sign in or join  to see your:     Home   Playlists   Practice Machine   Stats   Friends   Albums   Preferences   Sign out

Irish Traditional Music Tune Index
Tune ID#7160 (Holly Bush)

Transcription of first 2 bars of Holly Bush about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording LLses 5 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Double jig32AABBE Mixolydian
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Holly Bush (adapted as a jig by Karen Ryan from Finbarr Dwyer's reel Holly Bush #2844)
To get to your personal tune notes, Log in or Create an account
Note shared with my friends:

Note to myself only:
1 member plays this tune.
0 of them are your friends.

Suggest this Tune

To:
Comment to friend:

Discography cd

Here is the sole recording of this tune considering only the indexed recordings.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
201412#3
[LLses 5] The London Lasses and Chris O'Malley. The One I Loved the Best. Karen Ryan (fiddle, mandola, banjo, whistle), Elaine Conwell (fiddle), Elma McElligott (flute, whistle, saxophone, backing vocal), Brogan McAuliffe (concertina), Brona McVittie (vocal, harp), Chris O'Malley (piano, guitar).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Courtown Harbour
LLses 5
Played beforeOn Albums
Holly Bush
LLses 5

Bibliography

According to my research, there are zero transcriptions that are musically very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 2014