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The Irish Traditional Music Tune Index

Tune ID#766 (Green Gates)

Transcription of first 2 bars of Green Gates about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording IDM 1 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Reel32AABBG Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Green Gates, The / Green Gates / The Green Gate / Na Geataí Glasuaine / Geataí na Faiche / Na Geataí Glasa / The Women's Rock (for Sixteen Hand Reel in book MM) (also in D or E)
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
194521#2
[IDM 1] Irish Dance Music. Moate Ceilidhe Band.
~19592.19#1
[WC 4] Willie Clancy. The Gold Ring. Willie Clancy (pipes, whistle). For this tune: (pipes).
~197119#2
~19785#1
[StWing 1] Stockton's Wing. Stockton's Wing. Jigs, Reels & Songs. Maurice Lennon (fiddle), Tommy Hayes (bodhrán, jew's harp), Kieran Hanrahan (banjo, harmonica, bouzouki), Paul Roche (flute, whistle), Tony Callanan (vocals, guitar, bouzouki). For this tune: Paul (whistle).
~198310#1
[PK 2] Paddy Keenan. Poirt an Phíobaire. Paddy Keenan (pipes, whistle). For this tune: (C whistle).
19903#2
[COG 1] Conal O Gráda. The Top of Coom. Conal Ó Gráda (flute). For this tune: (F fife).
~19937#2
[JCnly 1] Johnny Connolly. An tOileán Aerach. Johnny Connolly (melodeon). For this tune: (C melodeon).
~199518#1
[CDrny 3] Chris Droney. The Fertile Rock. Chris Droney (accordion).
199712#2
[JKn 4] James Keane. With Friends Like These. James Keane (accordion). For this tune: with Paddy Glackin (fiddle).
200110#2
[PHCB] Public House Ceili Band. Go Figure. Dan Cobb (banjo), Dave Delgado (whistle), Alan Ng (fiddle), Bob Newton (octave mandolin).
~20025#3
[Tda 1] Téada. Téada. Oisín Mac Diarmada (fiddle, vocals, whistle, piano), John Blake (flute, whistle, guitar, piano), Seán McElwain (banjo, bouzouki, vocals), Tristan Rosenstock (bodhrán, vocals).
200910#2
[RoClare] Riches of Clare. Sean Vaughan, David Sanders, Eddie Moloney, Ian Lambe.
200910#1
[Hmmrs] The Hammers. From Distant Shores. Paul Hammer (mandolin, banjo), Susan Hammer (whistle, concertina). For this tune: (mandolin).
~200914#3
[LmKlly] Liam Kelly. Sweetwood. Liam Kelly (flute, whistle). For this tune: (Bb whistle).

Goes Well with . . .

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.

Listing of published transcriptions of this tune.
As tune #1550 in [1850] Francis O'Neill and James O'Neill. O'Neill's Music of Ireland. [available]
As tune #764 in [1001] Francis O'Neill and James O'Neill. The Dance Music of Ireland. 1001 Gems. [available]
As tune #178 in [CRE 2] Breandán Breathnach. Ceol Rince na hÉireann 2. [available]
On page 161 of [Krsn] Miles Krassen. O'Neill's Music of Ireland. New and Revised. [available]
As misc #43 in [MM] Martin Mulvihill. First Collection of Traditional Irish Music.
As tune #7 in [DM 1] Dave Mallinson. 100 Essential Irish Session Tunes. [available]
On page 28 of [M] Phil Rubenzer. Midwestern Irish Session Tunes. 3rd Edition.
On pages 44-45 of [M2] Phil Rubenzer. Midwestern Irish Session Tunes. Millennium Edition.
As reel #125 in [Cobb] Dan Cobb. Cobb's Music of Ireland. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1903