Tune Search
Sign in or join  to see your:     Home   Playlists   Practice Machine   Stats   Friends   Albums   Preferences   Sign out
The Irish Traditional Music Tune Index

Tune ID#7775 (Brendan Mulvihill's)

Transcription of first 2 bars of Brendan Mulvihill's about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording PACarb (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Double jig32AABBD Mixolydian
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Brendan Mulvihill's / Round the Corner to Jessie
To get to your personal tune notes, Log in or Create an account
Note shared with my friends:

Note to myself only:
0 members play this tune.
0 of them are your friends.

Suggest this Tune

To:
Comment to friend:

Discography cd

Here is the sole recording of this tune considering only the indexed recordings.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
~200115#2
[PACarb] Peter Carberry, Angelina Carberry, John Blake. Memories from the Holla. Peter Carberry (accordion), Angelina Carberry (banjo), John Blake (guitar).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Banks of Newfoundland
PACarb

Bibliography

Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are musical matches to this tune as played on the recording listed above.

Listing of published transcriptions of this tune.
On page 230 of [NF] Allen Feldman. The Northern Fiddler. [available]

If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1977