Tune Search
Sign in or join  to see your:     Home   Playlists   Practice Machine   Stats   Friends   Albums   Preferences   Sign out

Irish Traditional Music Tune Index
Tune ID#4532 (Come Back with My Bloody Car)

Transcription of first 2 bars of Come Back with My Bloody Car about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording Lu 5 (details in the Discography below).
Basic musical information on this tune.
Rhythm ?8-bar phrase structureMode ?
OtherAABBA Dorian
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Come Back with My Bloody Car (2nd in set Sean in the Fog on Lu 5) (composed by Donogh Hennessy)
To get to your personal tune notes, Log in or Create an account
Note shared with my friends:

Note to myself only:
1 member plays this tune.
0 of them are your friends.

Suggest this Tune

To:
Comment to friend:
map of tune distribution
Where members are who play this tune.

Discography cd

Here is the sole recording of this tune considering only the indexed recordings.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
20036#2
[Lu 5] LĂșnasa. The Kinnitty Sessions. Kevin Crawford (flute, whistle, bodhran), Donogh Hennessy (guitar), Trevor Hutchinson (double bass), Sean Smyth (fiddle, whistle), Cillian Vallely (pipes, whistle).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Easter Sunday
Lu 5
Played beforeOn Albums
New Lough Isle Castle
Lu 5

Bibliography

According to my research, there are zero transcriptions that are musically very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.

Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 2003