Irish Traditional Music Tune Index
Tune ID#2097 (Durham Rangers)
about these two barsThese two bars were transcribed by me from how this tune was played – the first time through – on the recording CA (details in the Discography below).
| Rhythm ? | Bars | 8-bar phrase structure | Mode ? |
|---|---|---|---|
| Barn dance | 32 | AABB | D Major |
Durham Rangers / The Sherwood Rangers / Sherwood Forest / Pádraig O'Keeffe's Hornpipe (2nd in set Germans on CA) (also as hornpipe) (compare 1st part with 1st part of #395)
Discography
Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.
Click
to hear the first 12 seconds.
to hear the first 12 seconds.| Year Recorded |
Track #Tune? |
[Album code] Artist. Title. Performers (instruments). |
|---|---|---|
| ~1983 | 9#2 | [CA] Mairéad Ní Mhaonaigh and Frankie Kennedy. Ceol Aduaidh. Mairéad Ní Mhaonaigh (fiddle, vocals), Frankie Kennedy (flute). |
| ~1994 | 5#1 | [SndCmC] The Sound of Coleman Country. PJ Hernon (accordion), Donal Hernon (fiddle). |
| ~1996 | 4#1 | [DH 1] Dan Herlihy and Friends. The Night of the Fair. Traditional Irish Music from Sliabh Luachra. Dan Herlihy (accordion). |
| ~1999 | 5#1 | [SN 2] Sliabh Notes. Gleanntán. Dónal Murphy (accordion), Tommy O'Sullivan (guitar, vocals), Matt Cranitch (fiddle). |
Bibliography
Here are all transcriptions of this tune considering only the indexed books, listed in chronological order. I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.
| On page 3 of [Ba] Betty M. Barlow. Fiddle Tunes for the Violinist. |
If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?
Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1977