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The Irish Traditional Music Tune Index

Tune ID#5451 (Martín Sheamuis' Reel)

Transcription of first 2 bars of Martín Sheamuis' Reel about these two bars
These two bars were transcribed by me from how this tune was played – the first time through – on the recording MDOF (details in the Discography below).
Basic musical information on this tune.
Rhythm ?Bars8-bar phrase structureMode ?
Reel16ABA Major
Titles ? given to this tune in the sources listed below (plus notes of mine about this tune):
Martín Sheamuis' Reel / Ríl Mháirtin Shéamuis (3rd in set The Green Fields of Miltown on Drv 1) (also 2nd part doubled) (compare with 1st 2 parts of Four Courts No. 2 #2469) (composed by Máirtín Sheamuis ó Fátharta)
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Discography cd

Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.

Click play below to hear the first 12 seconds.
Year
Recorded
Track
#Tune?
[Album code] Artist. Title (Link to Album Info page). Performers (instruments).
~19923#3
[Drv 1] Dervish. Harmony Hill. Cathy Jordan (vocals, bodhrán, bones), Liam Kelly (flute, whistle, vocals), Shane Mitchell (accordion), Shane McAleer (fiddle, viola), Brian McDonagh (mandola, mandolin), Michael Holmes (bouzouki, guitar).
~20002#2
[MDOF] Mícheál Darby Ó Fátharta. Bosca Bídeach. Mícheál Darby Ó Fátharta (melodeon).

Goes Well with . . .

In the above Discography, this tune is:

Played afterOn Albums
Con McGinley's
Drv 1
Boogie Reel
MDOF
Played beforeOn Albums
Humours of Tulla
MDOF

Bibliography

According to my research, there are zero transcriptions that are musically very similar to this tune anywhere in the indexed books, regardless of tune title. Try my recommended links to other indexes if you need a transcription. To learn to play this tune, simply learn it from another musician or study the recording(s) listed above. See also: Tips for Learning Irish Traditional Music.

Year of the oldest source for this tune, considering only the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1992