Irish Traditional Music Tune Index
Tune ID#577 (Eleanor Plunkett)
about these two bars
Basic musical information on this tune.
|Type ?||Mode ?|
given to this tune in the sources listed below (plus notes of mine about this tune):
Eleanor Plunkett / Lady Eleanor Plunket (composed by Turlough O'Carolan)
Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.
to hear the first 12 seconds.
|[Album code] Artist. Title. Performers (instruments).
[BBow 3] Buttons and Bows. Grace Notes - Nótaí Maise. Jackie Daly (accordion, concertina), Séamus McGuire (fiddle, viola), Manus McGuire (fiddle), Garry O'Briain (guitar, mandocello, piano).
[Dnta 2] Déanta. Ready for the Storm. Mary Dillon (vocals), Deidre Havlin (flute, whistle), Rosie Mulholland (keyboards, fiddle), Eoghan O'Brien (harp, guitar), Kate O'Brien (fiddle, viola), Clódagh Warnock (bouzouki, fiddle, bodhrán, chimes).
[WyndTrn] Dan Healy and Ciaran O'Raghallaigh. The Wyndy Turn. Dan Healy (flute), Ciaran O Raghallaigh (fiddle).
[LLses 1] The London Lasses and Pete Quinn. The London Lasses and Pete Quinn. Bernie Conneely (banjo), Elaine Conwell (fiddle), Karen Ryan (fiddle, whistle), Sharon Whelton (flute, whistle). For this tune: 1st few times Pete Quinn (piano), then with (whistle)..
Here are all transcriptions of this tune considering only the indexed books, listed in chronological order.
I have discovered by careful comparison that these are musical matches to this tune as played on the recordings listed above.
Listing of published transcriptions of this tune.
|As tune #150 in [Crln] The Complete Works of O'Carolan. |
If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?
Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1989