Irish Traditional Music Tune Index
Tune ID#614 (Fasten the Leg in Her)
about these two bars
Basic musical information on this tune.
|Rhythm ?||Bars||8-bar phrase structure||Mode ?|
|Double jig||32||AABB||G Major
given to this tune in the sources listed below (plus notes of mine about this tune):
Fasten the Leg in Her / Fasten the Leg on Her / Fasten the Leggin' / Fasten The Leg In / Fasten the Leg / Fáisc an Chos Uirthi
/ Fasten the Wig on Her / Rambles with Rory / Johnny Is So Long at the Fair / The Noonday Feast / Port Vincent Hegarty
/ Joe Ryan's (2nd in set The Wandering Minstrel Medley on MLIIA) (compare Tribute to Peggy McGrath included here and compare 1st part with 1st part of #1527
Here are all recordings of this tune considering only the indexed recordings. I have discovered by careful listening that these sources are in fact musically the same tune, regardless of the tune titles they use, key changes, retuning, etc.
to hear the first 12 seconds.
|[Album code] Artist. Title. Performers (instruments).
[PT] Patsy Touhey. The Piping of Patsy Touhey. Patsy Touhey (pipes).
[OTUS2] Oldtime Records. Vol. 2. U.S. Recordings. Traditional Irish Recordings from 1923 to 1947. James Morrison (fiddle).
[Chi] Traditional Irish Music in America. Chicago. Joe Shannon (pipes), John McGreevy (fiddle).
[NF] Joe Shannon, Johnny McGreevy. The Noonday Feast. Joe Shannon (pipes), Johnny McGreevy (fiddle).
[BlaMrl] P.J. agus Marcus Hernon. Béal a' Mhurlaigh. P.J. Hernon (accordion, melodeon), Marcus Hernon (flute). For this tune: (flute), (accordion).
[MLIIA] The Boston College Irish Fiddle Festival - My Love Is in America. all sixteen fiddlers (fiddle).
[MOK] Máire O'Keeffe. Cóisir. House Party. Máire O'Keeffe (fiddle).
[WatReeds] Tommy Keane, Jacqueline McCarthy, with Alec Finn. The Wind among the Reeds. Tommy Keane (pipes, whistle), Jacqueline McCarthy (concertina). For this tune: Tommy (Eb whistle).
[ST ES] Seamus Tansey. Easter Snow. Seamus Tansey (flute).
[NMllgn 2] Neil Mulligan. The Leitrim Thrush. Neil Mulligan (C# pipes).
[CrssCl] Seamus Glackin, Brendan Begley, Michael O'Brien, Mary Corcoran, Mick Gaynor. Crossroads Céilí. Seamus Glackin (fiddle), Brendan Begley (accordion), Michael O'Brien (flute), Mary Corcoran (piano), Mick Gaynor (drums).
[JOSe] Jimmí Ó Sé. Malairt Poirt ó Fionntrá. Jimmí Ó Sé (accordion, vocals). For this tune: (C melodeon).
[RdOnly] Brian McNamara and Tim Collins. Reed Only. Brian McNamara (pipes), Tim Collins (concertina). For this tune: Tim Collins (concertina).
[HiBs 1] The HiBs. 40 Acre Notch. Jode Dowling (fiddle), Kate Dowling (whistle, flute). For this tune: Jode (fiddle).
Here are all transcriptions of this tune considering only the indexed books, listed in chronological order.
I have discovered by careful comparison that these are very similar to this tune as played on the recordings listed above.
Listing of published transcriptions of this tune.
|As tune #860 in  Francis O'Neill and James O'Neill. O'Neill's Music of Ireland. |
|As tune #120 in  Francis O'Neill and James O'Neill. The Dance Music of Ireland. 1001 Gems. |
|On page 20 of [RM] Randy Miller and Jack Perron. Irish Traditional Fiddle Music. |
|As tune #197#1 in volume 3 of [R] Francis Roche. The Roche Collection of Traditional Irish Music. 3 vols. |
|As tune #6 in [A] Hugh McDermott. Allan's "Irish Fiddler." |
|As tune #73 in [WC] Pat Mitchell. The Dance Music of Willie Clancy. |
|On page 35 of [Krsn] Miles Krassen. O'Neill's Music of Ireland. New and Revised. |
|As jig #13 in [Ng] Alan Ng. Alan Ng's Transcriptions. |
|As jig #63 in [MM] Martin Mulvihill. First Collection of Traditional Irish Music. |
|As tune #40 in [DM 2] Dave Mallinson. 100 Enduring Irish Session Tunes. |
|On page 134 of [M2] Phil Rubenzer. Midwestern Irish Session Tunes. Millennium Edition. |
|As jig #32 in [Cobb] Dan Cobb. Cobb's Music of Ireland. |
If you are considering using the above transcriptions to help you learn this tune, I invite you to check these practical Tips for Learning Irish Traditional Music. See also: So why do you bother indexing books and abc?
Year of the oldest source for this tune, considering the recordings and transcriptions listed above (note that I concentrate on sources after 1900): 1903